I don't believe that grandmaster is from Shao Lin. He was a Korean guy. So he wasn't a monk. But from what I understand, one of his teachers was a student there. Long time ago though. He is in his late 50's now I think and he first started at age 13 or so.
Anyway, it's an interesting idea to traditionalize modern Wu Shu forms. He still teaches other traditional forms from Shao Lin but from what I have seen, he did traditionalize some Wu Shu forms. It makes them seem more effective and more practical. It's like tradition saying to modern, keep your new forms but at least make them with more techniques than having gaps in the forms with running and flowering your arms around. And that's exactly what he did. Put more stances and actually techniques that make sense. I kind of like that idea. But at least he still teaches tradition. So he's not leaving anything out and just using modern forms. It's just putting sense to them I guess.
A mi tuo Fo
-Xing Jian
Anyway, it's an interesting idea to traditionalize modern Wu Shu forms. He still teaches other traditional forms from Shao Lin but from what I have seen, he did traditionalize some Wu Shu forms. It makes them seem more effective and more practical. It's like tradition saying to modern, keep your new forms but at least make them with more techniques than having gaps in the forms with running and flowering your arms around. And that's exactly what he did. Put more stances and actually techniques that make sense. I kind of like that idea. But at least he still teaches tradition. So he's not leaving anything out and just using modern forms. It's just putting sense to them I guess.
A mi tuo Fo
-Xing Jian
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